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Charlie Looker (born 1980, New York City) has been active since high school as a composer, guitarist, vocalist, keyboardist and improviser, between the worlds of underground rock and art music. With roots in metal, modern composition, jazz, indie pop and Early Music, both Looker’s music and his modus operandi have always been an intuitive synthesis of diverse influences. While his music has been performed by various ensembles, his primary focus has always been on his own bands which perform regularly in grassroots contexts. Looker holds a B.A. in Music from Wesleyan University (2003) where he studied with Anthony Braxton, Alvin Lucier and Mark Stambaugh, however he still considers himself mostly self-taught. Central to Looker’s music is the play between crushing severity and the lighter touch of Irony’s ladyfingers. From 2003 to 2007 Looker was a core member of the notorious Brooklyn “brutal chamber” group Zs, recording for the Troubleman Unlimited, Tzadik, Planaria and Rice Control labels. In 2007, Looker formed his own band Extra Life, to explore more fully his vocal writing, folk-based forms and synthetic instrument sounds. Extra Life’s first album Secular Works was released in 2008 on Planaria Recordings to wide critical praise, followed by U.S. and European tours. Looker also continues his work as an improviser in the band Period, with drummer Mike Pride. Looker’s chamber music has been performed by the S.E.M. Ensemble (U.S.A), the Furious Band (U.S.A) and the Soozvuk Ensemble (Bratislava). In 2005, Looker was awarded a fellowship from the Ostrava New Music Days Festival (Czech Republic), as a performer and composer. Other notable projects and credits include work with Dirty Projectors, John Zorn, William Parker, Tyondai Braxton, Daniel Carter, Elliott Sharp, Christian Wolff, Seductive Sprigs and Time of Orchids. Projects for 2009 - 10 include a recording collaboration with Chuck Stern, a second Extra Life studio album, and an opera about Mormon polygamy.
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selected works
2007: Blackmail Blues - for Extra Life: baritone guitar, bass guitar, drums, violin, synth and tenor I Don't See it That Way - for Extra Life Bled White - for solo tenor 2006: Short Story: Night Creatures - for solo cello Poison Darts - for 2 percussionists Checked Out - for Extra Life: electric guitar, cello, tenor saxophone, drums and tenor 2005: B is for Burning - for Zs: 2 tenor saxophones, 2 electric guitars, 2 drum sets Bottled Water - for bass flute, bass clarinet, tenor saxophone and cello Might - for Seductive Sprigs: 2 electric guitars and 2 tenors Promiscuity - for flute, bass clarinet, trombone, piano, violin and cello The Next Stab - for Seductive Sprigs Nobody Wants to be Had - for Zs + 2 tenors Forget the Depths - for Zs 2003: untitled - for flute and soprano Play - for Zs Glyphs - for Zs 2002: untitled - for Lavender: trumpet, viola, electric guitar, contrabass, percussion and tenor Several Flames - for Lavender Back to the Black Square - for Lavender Lavender with Fake Strings - for Lavender 2001: 10/01 - for Lavender: clarinet, trumpet, electric guitar, contrabass, drum set and tenor S'Vague - for Lavender Get Your Eye - for Lavender Kid Mirror - for Antenna Terra: 2 electric guitars, 2 tenors and drum set Black Shale - for Lavender: Eb clarinet, alto saxophone, electric guitar, contrabass and tenor Covered in Moss - for Lavender 2000: Fast Nap Answer - for alto saxophone, horn, electric guitar, drum set and tenor The Space Between Things - for flute, bass clarinet, glockenspiel, piano, violin and cello Last Yellow - for soprano saxophone, baritone saxophone, electric guitar and violin |